The incident 1967 movie#

It is a vital, confrontational piece of work that really has something to say about the worst of who we are, supported by some compelling extras. Thereâ€™s nothing cosy or nostalgic about The Incident and it will absolutely set you on edge. A trailer for the film rounds out the discâ€™s extras and in addition to this also included is an accompanying booklet with writing on the film from Samm Deighan and Barry Forshaw along with a reprint of a â€˜survival guideâ€™ pamphlet that was circulated during New Yorkâ€™s crime epidemic. The second commentary from writer Alexandra Heller-Nicholas is completely different, with the focus on the filmâ€™s perspective on violence, sexual politics and The Incidentâ€™s continuing relevance fascinating and necessary. The Incident (1967) Movies, TV, Celebs, and more. Another elderly couple (Jack Gilford and Thelma Ritter) bickers about their grown son who seems to have a perfectly situated life with a wife and kids and still seems ungrateful.

The incident 1967 movie#

Peerce remains rightfully proud of his achievement and both are worthwhile. There’s the husband and wife (Ed MacMahon and Diana Van der Vlis) who stayed out late with their daughter and quibble about hailing a taxi or not. The Incident 1967, Mystery & thriller, 1h 39m 88 Tomatometer 8 Reviews 88 Audience Score 250+ Ratings The Incident Photos View All Photos (10) Movie Info On a New York City subway, two young. There are two commentaries, the first a conversation between cinema historian Nick Redman and Peerce that goes into detail about the challenges involved in the making of the film and the intent behind it and this is complemented by a 30-min Q&A with Peerce from the 2017 Wisconsin Film Festival. The Incident is a remarkable film that works as both a social commentary in microcosm of the issues of the time it was made and a wider examination of society that speaks to the world we live in now.įor this new release we have a crisp and sharp transfer that showcases the beautifully menacing cinematography of Gerald Hirschfeld and Larry Peerceâ€™s dynamic direction, both working together to make the film vivid and immediate. The film holds nothing back with the mean-spirited abuse of the passengers cruel and laced with hatred so that the tension and looming promise of explosive violence to come racks up throughout the second half with an unrelenting intensity. Itâ€™s here that Joe and Artie effectively hold them hostage for the purposes of tormenting and threatening the group for their own pleasure. Eventually everyone ends up in the same train carriage.

Meanwhile, as the filmâ€™s first half plays out, a disparate set of people are all making their journeys home, including gay man Kenneth, older Jewish couple Sam and Bertha, young soldiers Felix and Phillip, African-American couple Arnold and Joan and others who provide a cross-section of society in much the same way disaster movies of the next decade would. Mugging and beating unconscious a man on his way home, they decide to head to Times Square. As it begins, Joe and Artie are two completely amoral New York hoods out for alcohol-fuelled, criminal thrills in the dwindling late hours of a weekend. Baehr, based on his teleplay Ride with Terror (which had been previously adapted as a 1963 television film) 2 and directed by Larry Peerce. Made over 50 years ago, The Incident remains an uncompromising and emotionally savage experience. The Incident is a 1967 American drama film written by Nicholas E. BAEHR / STARRING: TONY MUSANTE, MARTIN SHEEN, BEAU BRIDGES, BROCK PETERS / RELEASE DATE: OUT NOW To American viewers: if you have a home video set-up capable of playing this Region 2 PAL DVD, I wholeheartedly recommend it.THE INCIDENT (1967) / CERT: 15 / DIRECTOR: LARRY PEERCE / SCREENPLAY: NICHOLAS E. Pointedly, these are powerless to prevent the unfolding mayhem but do provide touches of dark wit. The high-contrast cinematography is appropriate, imbuing a noir tone while rendering the director's frequent wide-angle close-ups all the more unnerving.Īlso intentional, surely, is the number of admonitory, advisory billboards throughout the film: 'Offenders will be prosecuted', 'Work with the mentally retarded', 'Keep America beautiful', even 'Help!'. Blacks are deep, befitting a film set entirely during a single tense night. By standard-definition standards, it looks striking: sharp, consistently clean, with miniscule edge-enhancement and a little grain. I shall put aside questions of plot plausibility to focus on the DVD (released by Simply Media), as the quality of its image is less in dispute. The August 2014 issue of 'Sight & Sound' magazine devoted a full-page rave review to 'The Incident' - courtesy of veteran critic Kim Newman, no less - and deservedly so. Who knows why this stunning, rarely-seen, New York nightmare of a movie made it to DVD in Britain before the US, but I for one am not complaining.